Exodus 26:11
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Exodus 26:3
3Five curtains shall be coupled together to one another, and the other five curtains shall be coupled to one another.
Exodus 26:6
6You shall make fifty clasps of gold, and couple the curtains to one another with the clasps. The tabernacle shall be a unit.
Study
The tabernacle itself (not including the courtyard around it) was not very large. It was about 4.6 meters (15 feet) wide and 13.7 meters (45 feet) long.
The main structure stood on 48 vertical frames. Each frame was 4.6 meters (15 feet) high and 68.6 centimeters (27 inches) wide (26:16). The frames were made of acacia wood and covered with gold (26:15, 29).
Workers joined the frames together with horizontal crossbars. These bars formed a three-sided rectangle with one open end (26:26–28).
Two large linen curtains covered the structure. Each large curtain was made from five smaller curtains joined together. The two large curtains were then connected into one long covering (26:1–6).
This linen covering stretched across the top of the frame. It hung down along the sides and the back. It covered both the walls and the roof.
Over the linen curtain, workers placed another curtain made of goat hair. It was built in the same way. This curtain was 0.9 meters (3 feet) wider and 1.8 meters (6 feet) longer than the linen curtain (26:7–13). Because it was larger, it hung lower on every side.
Above these two curtains were two protective layers. One layer was made from tanned ram skins. The other was made from fine leather (26:14). These outer coverings protected the tabernacle from weather and damage.
Inside the tabernacle, another curtain divided the space into two parts. This curtain was beautifully embroidered. It hung across the width of the structure on four posts made of acacia wood (26:31–33). This created two rooms. The first room was called the Holy Place. The second room was called the Most Holy Place.
Section overviews (2)
These instructions first list the materials that the Israelites could give to build the tabernacle (25:3–7).
Next, the instructions describe the tabernacle from the center and move outward. They begin with the ark of the covenant (also called the ark of the Testimony, 25:10–22; 27:9–19).
Two items are described later. These are the altar of incense inside the sanctuary and the bronze basin in the courtyard (30:1–10, 17–21).
These items appear in the section about the priesthood. They may be placed there because the priests used them in a special way as part of their service.
Unlike most churches today, the Tent of Meeting (the tabernacle) was not mainly a place where people gathered to meet. It was first of all the dwelling place of God. It functioned like the palace of a king. God was Israel’s divine King, and the Tabernacle was his royal tent.
In this way, churches today are more similar to later Jewish synagogues, where people gathered to worship and learn (see also study note on 40:2).
The last section of Exodus completes God’s self-revelation to Israel. Through these events, God brought the people out of the spiritual darkness that had held them in slavery.
This section includes three main parts:
Instructions for building the Tent of Meeting (chapters 25–31).
The story of the golden calf (a wrong attempt to secure God's presence, chapters 32–34).
The report of building the Tent of Meeting (the correct way to secure God's presence, chapters 35–40).
These chapters show that God’s ultimate goal in delivering Israel from slavery was to live among them.
God wanted to share his presence with his people. However, because God is holy (completely pure and set apart from sin), people could experience his presence only in the way he commanded.
They could not approach him through pagan practices (worship methods of other nations) or through human manipulation (trying to control or force a god to act).
The building of the Tent of Meeting is described here, even though some instructions in Leviticus were given earlier (see 40:1–2; Leviticus 25:1; 27:34; Numbers 7:1). This event shows the goal of the entire exodus story: God came to live among his people.
curtains of goats' hair--These coarse curtains were to be one more in number than the others, and to extend a yard lower on each side, the use of them being to protect and conceal the richer curtains.
Moses is here ordered to make a double covering for the tabernacle, that it might not rain in, and that the beauty of those fine curtains might not be damaged. 1. There was to be a covering of hair camlet curtains, which were somewhat larger every way than the inner curtains, because they were to enclose them, and probably were stretched out at some little distance from them, Exo 26:7, etc. These were coupled together with brass clasps. The stuff being less valuable, the tacks were so; but the brass tacks would answer the intention as effectually as the golden ones. The bonds of unity may be as strong between curtains of goats' hair as between those of purple and scarlet. 2. Over this there was to be another covering, and that a double one (Exo 26:14), one of rams' skins dyed red, probably dressed with the wool on; another of badgers' skins, so we translate it, but it should rather seem to have been some strong sort of leather (but very fine), for we read of the best sort of shoes being made of it, Eze 16:10. Now observe here, (1.) That the outside of the tabernacle was coarse and rough, the beauty of it was in the inner curtains. Those in whom God dwells must labour to be better than they seem to be. Hypocrites put the best side outwards, like whited sepulchres; but the king's daughter is all glorious within (Psa 45:13); in the eye of the world black as the tents of Kedar, but, in the eye of God, comely as the curtains of Solomon, Sol 1:5. Let our adorning be that of the hidden man of the heart, which God values, Pe1 3:4. (2.) That where God places his glory he will create a defence upon it; even upon the habitations of the righteous there shall be a covert, Isa 6:5, Isa 6:6. The protection of Providence shall always be upon the beauty of holiness. God's tent will be a pavilion, Psa 27:5.
Moreover, thou shalt make the tabernacle. In the whole construction of the tabernacle we must remember what we have already seen, that the Israelites were instructed by external figures how precious a thing is the worship of God, and therefore that they must diligently beware lest it should be polluted by any meanness. For all this richness and magnificence of ornament was the very contrast to meanness. They were also reminded that, if they would be accounted pure worshippers of God, they must avoid all uncleanness, for the tabernacle was the type of the Church. Thus it is certain that by its external ornaments the excellency of spiritual gifts was designated. On this ground Isaiah, discoursing of the perfect glory of the Church as it would be under the reign of Christ, says,
"I will lay thy stones with fair colors, and lay thy foundations with sapphires; and I will make thy windows of agates, and thy gates of carbuncles, and all thy borders of pleasant stones," (Isaiah 54:11, 12;)
by which words he plainly signifies that the Church would be adorned with heavenly beauty, since all kinds of graces shone forth in her But the chief excellency of her adornment must be referred to the instruction which renews us into the image of God. Thus David, when he celebrates the beauty of God's house, assigns this honor chiefly to the exercises of faith and piety:
"One thing have I desired of the Lord," he says, "that will I seek after, that I may dwell in the house of the Lord all the days of my life, to behold the beauty of the Lord, and to inquire in his temple." (Psalm 27:4.)
Was this that he might feed his eyes with empty pictures, with its costly materials, and with the exquisite workmanship of it? Assuredly he does not speak of gazing inquisitively at it, but thus alludes to its visible workmanship, that with the spiritual eyes of faith he may consider the glory more excellent than the whole world, which was there represented. Nor indeed did anything magnificent appear in the tabernacle to delight men's eyes, but rather was all its richness and excellence covered up with goats' hair and paltry leather, in order that believers beneath that hidden beauty might reflect on something higher than the carnal sense.
It will suffice to have given these general hints; I now descend to particulars, in which let not my readers expect of me any conceits which may gratify their ears, since nothing is better than to contain ourselves within the limits of edification; and it would be puerile to make a collection of the minutiae wherewith some philosophize; since it was by no means the intention of God to include mysteries in every hook and loop; and even although no part were without a mystical meaning, which no one in his senses will admit, it is better to confess our ignorance than to indulge ourselves in frivolous conjectures. Of this sobriety, too, the author of the Epistle to the Hebrews is a fit master for us, who, although he professedly shews the analogy between the shadows of the Law and the truth manifested in Christ, yet sparingly touches upon some main points, and by this moderation restrains us from too curious disquisitions and deep speculations. In the first place, curtains are made of twilled linen, and blue, purple, and scarlet, which, when coupled together, made an inclosure of forty cubits; for they were ten in number, and the breadth of each was four cubits. By "cunning work," commentators are agreed that embroidery is meant, especially when God commands that cherubim should be made in them. But some translate the word cherubim by the general name of pictures, [140] which, although it is not grammatically incorrect, yet, since we have before seen that angels were designated by this word, it; is more probable that figures of angels were everywhere scattered over them; for, when the majesty of God is represented to the life by Daniel 7:10, "ten thousand times ten thousand" are said to stand around His judgment-seat, Ridiculous is it of the Papists [141] to infer from hence that churches would be empty and unsightly unless they are adorned with images; for in order that the similitude should hold good, they must needs hide their images under a triple covering, lest the people should be able to see them; and then, how would they be "the books of the unlearned" (idiotarum), as they call them? [142]
Now, since the seraphim, of which Isaiah makes mention, (Isaiah 6:2,) signify the same as the cherubim, and are said "with twain of their wings to cover their faces, and with twain their feet," their images must be veiled, in order to correspond with them. Besides, it is preposterous, as I have said, forcibly to transfer these rudiments, which God delivered only to His ancient; people, to the fullness of time, when the Church has grown up and has passed out of its childhood. But how far the Jews were from worshipping the cherubim, the heathen poets bear them witness; for Juvenal, speaking of them, said,
"Qui puras nubes, et coeli numen adorant;" [143]
and God extorted these words from an impure and licentious man, that all might know that the Law of Moses lifted his disciples to things above. A threefold covering is then described, the inner one of goats' hair, another of rams' skins dyed red, and the outer one of badgers' skins; a wooden frame is then added, to strengthen the tabernacle within by its firmness, since otherwise the curtains would have got out of place at the slightest motion. The boards were of shittim-wood, overlaid with gold, either only gilt or covered with gold plates; each of them was supported by two silver bases, [144] like feet, and they were joined together by bars, passed through rings of gold. In this space the whole tabernacle was contained, which then was distinguished into the outer sanctuary and the Holy of holies. Besides these there was the court in which the people were to stand, because it was not lawful for them to enter the sanctuary, to which the priests alone had access, and they only when clean. Thus David, after having exclaimed, "How amiable are thy tabernacles, O Lord of hosts," immediately adds, "My soul longeth, yea, even fainteth for the courts of the Lord;" and again, "for a day in thy courts is better than a thousand," (Psalm 84:1, 2, 10;) and again, "Worship the Lord in his holy court." [145] (Psalm 29:2.) But on so plain a matter there is no need of the abundant proofs which he furnishes. The disposition of the tabernacle is said again, in ver. 30, to have been shewn in the mount, that the people should not rest their attention on the visible tabernacle, but with the understanding of faith should penetrate to heaven, and direct their minds to the spiritual pattern, the shadows and types of which they beheld. Neither here must we philosophize too curiously. The allegory will please the ears of many, that by the two bases are meant the Old and New Testament, or the two natures of Christ, because believers rest on these two supports. But with no less probability we might say, that two bases were placed beneath each of the boards; either because godliness hath the promise of this life and of that which is to come; or because we must resist on both sides the temptations which assail us from the right and from the left; or because faith must not limp nor turn to the right or left: thus there would be no bounds to trifling. They allegorically explain that the covering of the tabernacle was made of rams' skins, [146] because the Church is protected by the blood of Christ, who is the spotless lamb; but I ask, what do the badgers' skins, which were above, mean? Why was the covering of goats' hair put below? Wherefore, sobriety is our best course.
Curtains of goats' hair - Stuff made of goats' hair. See Clarke's note on Exo 25:4. This was the second covering.
And thou shalt make fifty taches of brass,.... As these curtains were coarser, and also the loops, so the taches, hooks, or clasps, were made of meaner metal, but answered the purpose of joining and coupling together full as well: and put the taches into the loops; one end of the hook or clasp into the loop on one of the curtains, and the other end of the hook or clasp into the loop on the other curtain answering to it: and couple the tent together, that it may be one; that the tent or covering over the tabernacle might be one, as the tabernacle by the like means was, Exodus 26:6.
Fifty loops and clasps were to be made to join the two halves together, as in the case of the inner tapestry, only the clasps were to be of brass or copper.