1 Kings 6:30

The focus shifts to the inside of the temple. Although the temple site is not mentioned here, the Chronicler identified it as the former threshing floor of Araunah (1 Chronicles 21:18–25; 2 Chronicles 3:1). This site is traditionally believed to be Mount Moriah (Genesis 22:2). Solomon’s Temple was in the northeastern corner of Jerusalem, now known as the "old city." This is the area now associated with the Dome of the Rock.

THE CEILING AND ADORNING OF IT. (Kg1 6:15-22)

he built the walls of the house within--The walls were wainscotted with cedar-wood; the floor, paved with cypress planks; the interior was divided (by a partition consisting of folding doors, which were opened and shut with golden chains) into two apartments--the back or inner room, that is, the most holy place, was twenty cubits long and broad; the front, or outer room, that is, the holy place, was forty cubits. The cedar-wood was beautifully embellished with figures in relievo, representing clusters of foliage, open flowers, cherubims, and palm trees. The whole interior was overlaid with gold, so that neither wood nor stone was seen; nothing met the eye but pure gold, either plain or richly chased.

Here, I. We have a particular account of the details of the building.
1. The wainscot of the temple. It was of cedar (Kg1 6:15), which was strong and durable, and of a very sweet smell. The wainscot was curiously carved with knops (like eggs or apples) and flowers, no doubt as the fashion then was, Kg1 6:18.
2. The gilding. It was not like ours, washed over, but the whole house, all the inside of the temple (Kg1 6:22), even the floor (Kg1 6:30), he overlaid with gold, and the most holy place with pure gold, Kg1 6:21. Solomon would spare no expense necessary to make it every way sumptuous. Gold was under foot there, as it should be in all the living temples: the abundance of it lessened its worth.
3. The oracle, or speaking-place (for so the word signifies), the holy of holies, so called because thence God spoke to Moses, and perhaps to the high priest, when he consulted with the breast-plate of judgment. In this place the ark of the covenant was to be set, Kg1 6:19. Solomon made every thing new, and more magnificent than it had been, except the ark, which was still the same that Moses made, with its mercy-seat and cherubim; that was the token of God's presence, which is always the same with his people whether they meet in tent or temple, and changes not with their condition.
4. The cherubim. Besides those at the ends of the mercy-seat, which covered the ark, (1.) Solomon set up two more, very large ones, images of young men (as some think), with wings made of olive-wood, and all overlaid with gold, Kg1 6:23, etc. This most holy place was much larger than that in the tabernacle, and therefore the ark would have seemed lost in it, and the dead wall would have been unsightly, if it had not been thus adorned. (2.) He carved cherubim upon all the walls of the house, Kg1 6:29. The heathen set up images of their gods and worshipped them; but these were designed to represent the servants and attendants of the God of Israel, the holy angels, not to be themselves worshipped (see thou do it not), but to show how great he is whom we are to worship.
5. The doors. The folding doors that led into the oracle were but a fifth part of the wall (Kg1 6:31), those into the temple were a fourth part (Kg1 6:33); but both were beautified with cherubim engraven on them, Kg1 6:32, Kg1 6:35.
6. The inner court, in which the brazen altar was at which the priests ministered. This was separated from the court where the people were by a low wall, three rows of hewn stone tipped with a cornice of cedar (Kg1 6:36), that over it the people might see what was done and hear what the priests said to them; for, even under that dispensation, they were not kept wholly either in the dark or at a distance.
7. The time spent in this building. It was but seven years and a half from the founding to the finishing of it, Kg1 6:38. Considering the vastness and elegance of the building, and the many appurtenances to it which were necessary to fit it for use, it was soon done. Solomon was in earnest in it, had money enough, had nothing to divert him from it, and many hands made quick work. He finished it (as the margin reads it) with all the appurtenances thereof, and with all the ordinances thereof, not only built the place, but set forward the work for which it was built.
II. Let us now see what was typified by this temple. 1. Christ is the true temple; he himself spoke of the temple of his body, Joh 2:21. God himself prepared him his body, Heb 10:5. In him dwelt the fulness of the Godhead, as the Shechinah in the temple. In him meet all God's spiritual Israel. Through him we have access with confidence to God. All the angels of God, those blessed cherubim, have a charge to worship him. 2. Every believer is a living temple, in whom the Spirit of God dwells, Co1 3:16. Even the body is such by virtue of its union with the soul, Co1 6:19. We are not only wonderfully made by the divine providence, but more wonderfully made anew by the divine grace. This living temple is built upon Christ as its foundation and will be perfected in due time. 3. The gospel church is the mystical temple; it grows to a holy temple in the Lord (Eph 2:21), enriched and beautified with the gifts and graces of the Spirit, as Solomon's temple with gold and precious stones. Only Jews built the tabernacle, but Gentiles joined with them in building the temple. Even strangers and foreigners are built up a habitation of God, Eph 2:19, Eph 2:22. The temple was divided into the holy place and the most holy, the courts of it into the outer and inner; so there are the visible and the invisible church. The door into the temple was wider than that into the oracle. Many enter into profession that come short of salvation. This temple is built firm, upon a rock, not to be taken down as the tabernacle of the Old Testament was. The temple was long in preparing, but was built at last. The top-stone of the gospel church will, at length, be brought forth with shoutings, and it is a pity that there should be the clashing of axes and hammers in the building of it. Angels are ministering spirits, attending the church on all sides and all the members of it. 4. Heaven is the everlasting temple. There the church will be fixed, and no longer movable. The streets of the new Jerusalem, in allusion to the flooring of the temple, are said to be of pure gold, Rev 21:21. The cherubim there always attend the throne of glory. The temple was uniform, and in heaven there is the perfection of beauty and harmony. In Solomon's temple there was no noise of axes and hammers. Every thing is quiet and serene in heaven; all that shall be stones in that building must in the present sate of probation and preparation be fitted and made ready for it, must be hewn and squared by divine grace, and so made meet for a place there.

The height of the one cherub was ten cubits - Concerning the cherubs, their form, etc., see my note on Exo 25:18 (note). The height of each cherub was about eighteen feet and three inches.

And the floor of the house he overlaid with gold within and without. Both the floor of the holy place, and of the holy of holies; so the street of the new Jerusalem is said to be pure gold, Revelation 21:21; this expresses the purity and magnificence of it, particularly the holy conversation of them that dwell in the church, in heaven, signified hereby.

The Internal Arrangements of the Temple-House. - Kg1 6:14-22. Internal covering of the house, and division into Holy and Most Holy. - Kg1 6:14 (cf. Kg1 6:9) resumes the description of the building of the temple, which had been interrupted by the divine promise just communicated.
Kg1 6:15
"He built (i.e., so far as the sense is concerned, he covered) the walls of the house within with boards of cedar; from the floor of the house to the walls of the ceiling he overlaid it with wood within, and overlaid the floor with cypress boards." The expression הסּפּן קירות, "walls of the ceiling," is very striking here, and renders it probable that קירות is only a copyist's error for קורות, "beams of the ceiling." The whole of the inside of the house was covered with wood, so that nothing was to be seen of the stone wall (Kg1 6:18). On the other hand, the biblical text knows nothing of any covering of the outer walls also with wood, as many have assumed.
Kg1 6:16-18
"And he built אמּה את־עשׂרים, the twenty cubits (i.e., the space of twenty cubits), of the hindermost side of the house with boards of cedar," from the floor to the beams (of the roof). עד־הקּירות is to be explained from הסּפּן קירות עד in Kg1 6:15. "And built them for it (the house - לו pointing back to הבּית) into the hinder room, into the Most Holy." דּביר is more precisely defined by the apposition הקּדשׁים קדשׁ, and therefore denotes the Most Holy Place. But there is a doubt as to its derivation and true meaning. Aquila and Symmachus render it χρηματιστήριον, Jerome λαλητήριον, or in the Vulg. oraculum, so that they derive it from דּבר, to speak; and Hengstenberg adopts this derivation in Psa 28:2 : דּביר, lit., that which is spoken, then the place where the speaking takes place. Most of the more recent commentators, on the other hand, follow the example of C. B. Michaelis and J. Simonis, and render it, after the Arabic, the hinder portion or back room, which is favoured by the antithesis לפני היכל, the front sanctuary (Kg1 6:17). The words of the text, moreover, are not to be understood as referring to a cedar wall in front of the Most Holy Place which rose to the height of twenty cubits, but to all four walls of the Most Holy Place, so that the wall which divided the hinder room from the Holy Place is not expressly mentioned, simply because it is self-evident. The words also imply that the whole of the hinder space of the house to the length of twenty cubits was cut off for the Most Holy Place, and therefore the party wall must also have filled the whole height of the house, which was as much as thirty cubits, and reached, as is expressly stated, from the floor to the roof. There remained therefore forty cubits of the house (in length) for לפני היכל, the front palace, i.e., the Holy Place of the temple (Kg1 6:17). לפני, anterior, formed from לפני (cf. Ewald, 164, a.). - In Kg1 6:18 there is inserted in a circumstantial clause the statement as to the internal decoration of both rooms; and the further description of the Most Holy Place is given in Kg1 6:19. "And cedar wood was (placed) against the house inside, sculpture of gourds (colocynthides) and open buds." מקלעת is in apposition to ארז, containing a more minute description of the nature of the covering of cedar. מקלעת signifies sculpture, half-raised work (basso relievo); not, however, "that kind of bas-relief in which the figures, instead of rising above the surface on which they are wrought, are simply separated from it by the chiselling out of their outlines, and their being then rounded off according to these outlines" (Thenius). For although the expression מקלעות פּתּוּחי (Kg1 6:29) appears to favour this, yet "merely engraved work" does not harmonize with the decorations of the brazen stands in Kg1 7:31, which are also called מקלעות. פּקעים are figures resembling the פּקּעת, or wild gourds (Kg2 4:39), i.e., oval ornaments, probably running in straight rows along the walls. צצּים פּטוּרי are open flower-buds; not hangings or garlands of flowers (Thenius), for this meaning cannot be derived from פּטר in the sense of loosening or setting free, so as to signify flowers loosened or set free (= garlands), which would be a marvellous expression! The objection that, "flowers not yet opened, i.e., flower-buds, were not צצּים, but פּרחים," rests upon a false interpretation of the passage referred to.
Kg1 6:19
"And (= namely) he prepared a hinder room in the house within, to place the ark of the covenant of Jehovah there." תתּן, as Kg1 17:14 shows, is not a future (ut reponeres), but the infinitive תּת with a repeated syllable תן (see Ewald, 238, c.).
Kg1 6:20
"And the interior of the hinder room was twenty cubits the length, twenty cubits the breadth, and twenty cubits its height." The word לפני I agree with Kimchi in regarding as the construct state of the noun לפנים, which occurs again in Kg1 6:29 in the sense of the inner part or interior, as is evident from the antithesis לחיצום (on the outside). "And he overlaid it with fine gold." סגוּר זהב (= סגור =( ז in Job 28:15) unquestionably signifies fine or costly gold, although the derivation of this meaning is still questionable; viz., whether it is derived from סגר in the sense of to shut up, i.e., gold shut up or carefully preserved, after the analogy of כּתם; or is used in the sense of taking out or selecting, i.e., gold selected or pure; or in the sense of closed, i.e., gold selected or pure; or in the sense of closed, i.e., gold condensed or unadulterated (Frst and Delitzsch on Job 28:15).
The Most Holy Place had therefore the form of a perfect cube in the temple as well as in the tabernacle, only on an enlarged scale. Now, as the internal elevation of the house, i.e., of the whole of the temple-house, the hinder portion of which formed the Most Holy Place, was thirty cubits, there was a space of about ten cubits in height above the Most Holy Place and below the roof of the temple-house for the upper rooms mentioned in Ch2 3:9, on the nature and purpose of which nothing is said in the two accounts.
(Note: This upper room does not presuppose, however, that the party wall, which follows as a matter of course from Kg1 6:16, was not merely a cedar wall, but a wall two cubits thick. The supposed difficulty of setting up a cedar wall thirty cubits high is not so great as to necessitate assumptions opposed to the text. For we cannot possibly see why it could not have been made secure "without injuring the temple wall." The wood panelling must have been nailed firmly to the wall without injuring the wall itself; and therefore this could be done just as well in the case of the cedar beams or boards of the party wall.)
"And he overlaid (clothed) the altar with cedar wood." There is something very striking in the allusion to the altar in this passage, since the verse itself treats simply of the Most Holy Place; and still more striking is the expression לדּביר אשׁר המּזבּח, "the altar belonging to the Debir," in Kg1 6:22, since there was no altar in the Most Holy Place. We cannot remove the strangeness of these sentences by such alterations as Thenius and Bttcher propose, because the alterations suggested are much too complicated to appear admissible. The allusion to the altar in both these verses is rather to be explained from the statements in the Pentateuch as to the position of the altar of incense; viz., Exo 30:6, "Thou shalt place it before the curtain, which is above the ark of the testimony before the capporeth over the testimony;" and Exo 40:5, "before the ark of the testimony;" whereby this altar, although actually standing "before the inner curtain," i.e., in the Holy Place, according to Exo 40:26, was placed in a closer relation to the Most Holy Place than the other two things which were in the Holy Place. The clothing of the altar with cedar presupposes that it had a heart of stone; and the omission of the article before מזבּח may be explained on the ground that it is mentioned here for the first time, just as in Kg1 6:16, where דּביר was first mentioned, it had no article.
Kg1 6:21-22
To the gilding of the Most Holy Place, and the allusion to the altar of incense, which in a certain sense belonged to it, there is now appended in Kg1 6:21 the gilding of the Holy Place. "Solomon overlaid the house from within with fine gold." מפּנימה הבּית cannot be the party wall between the Holy Place and the Most Holy, as I formerly supposed, but is the Holy Place as distinguished from the Most Holy. The following words וגו ויעבּר are very obscure. If we rendered them, "he caused to pass over in (with) golden chains before the hinder room," we could only think of an ornament consisting of golden chains, which ran along the wall in front of the hinder room and above the folding doors. But this would be very singularly expressed. We must therefore take עבּר, as Gesenius, de Wette, and many of the earlier commentators do, according to the Chaldaean usage in the sense of bolting or fastening: "he bolted (fastened) with golden chains before the hinder room;" and must assume with Merz and others that the doors into the Most Holy Place (except on the day of atonement) were closed and fastened with golden chains, which were stretched across the whole breadth of the door and stood out against the wall.
(Note: The conjecture of Thenius, that את־הפּרכת (the curtain) has dropped out of the text and should be restored ("he carried the curtain across with golden chains"), is very properly described by Merz as "certainly untenable," since, apart from the fact that not one of the older versions contains the missing words, chains would have impeded the moving of the curtain. It is true that, according to Ch2 3:14, there was a curtain before the Most Holy Place; but as it is not mentioned so early as this even in the Chronicles, this would not be its proper position in the account before us, but it would be most suitably mentioned either in connection with or after the reference to the doors of the Most Holy Place in Kg1 6:31, Kg1 6:32.)
- The following expression, זהב ויצפּהוּ, "and he overlaid it with gold," can only refer to the altar mentioned in the previous verse, the gilding of which has not yet been noticed, however surprising the separation of these words from Kg1 6:20 may be. - In Kg1 6:22 what has already been stated with regard to the gilding is repeated once more in a comprehensive manner, which brings this subject to a close. The whole house (כּל־הבּית) is the Holy Place and the Most Holy, but not the porch or hall, as this is expressly distinguished from the house. המּזבּח, the whole altar, not merely a portion of it.
Kg1 6:23-28
The large cherub-figures in the Most Holy Place. - Kg1 6:23. He made (caused to be made) in the hinder room two cherubs of olive wood, i.e., wood of the oleaster or wild olive-tree, which is very firm and durable, and, according to Ch2 3:10, צעצעים מעשׂה, i.e., according to the Vulgate, opus statuarium, a peculiar kind of sculpture, which cannot be more precisely defined, as the meaning of צוּע is uncertain. "Ten cubits was the height of it" (i.e., of the one and of the other). The figures had a human form, like the golden cherubs upon the ark of the covenant, and stood upright upon their feet (Ch2 3:13), with extended wings of five cubits in length, so that one wing of the one reached to one wing of the other in the centre of the room, and the other wing of each reached to the opposite wall, and consequently the four extended wings filled the entire breadth of the Most Holy Place ( a breadth of twenty cubits), and the two cherubs stood opposite to one another and ten cubits apart. The wings were evidently fastened to the back and placed close to one another upon the shoulder-blades, so that the small space between their starting-points is not taken into consideration in the calculation of their length. The figures were completely overlaid with gold. The ark of the covenant was placed between these cherubs, and under the wings which pointed towards one another. As they were made like those upon the ark, they had evidently the same meaning, and simply served to strengthen the idea which was symbolized in the cherub, and which we have expounded in the Commentary on Exo 25:20. Only their faces were not turned towards one another and bent down towards the ark, as in the case of the golden cherubim of the ark; but, according to Ch2 3:13, they were turned לבּית, towards the house, i.e., the Holy Place, so as to allow of the extension of the wings along the full length of the Most Holy Place.
Kg1 6:29-35
Ornaments of the walls; the floors and doors. - Kg1 6:29. All the walls of the house (the Holy Place and the Most Holy) round about (מסב, adverb) he made engraved work (carving) of cherubs, palms, and open flowers from within to the outside (i.e., in the Most Holy as well as in the Holy Place). ול...מן = אל...מן; and לפנים as in Kg1 6:20. This completes the account of the nature of the covering of wood. In addition to the oval figures and open flowers (Kg1 6:18), there were also figures of cherubim and palm-trees carved in the wooden panels. Nothing is said as to the distribution of these figures. But a comparison with Eze 41:18 shows at any rate so much, that the palm-trees alternated with the cherubs, so that there was always one cherub standing between two palm-trees. The gourd-shaped figures and the open flowers probably formed the upper and lower setting of the rows of palms and cherubs, the flowers hanging in the form of garlands above the palms and cherubs, and the rows of gourds arranged in bars constituting the boundary lines both above and blow. It is a disputed question whether there was only one row of palms and cherubs running round the walls, or whether there were two, or possibly even three. There is more probability in the second or third of these assumptions than in the first, inasmuch as on the walls of the Egyptian temples there were often three or four rows of mythological characters in relief arranged one above another (compare my work on the Temple, pp. 70ff.).
Kg1 6:30
The floor of the house he overlaid with gold within and without, i.e., in the Most Holy Place and in the Holy Place also.
Kg1 6:31-32
He made the entrance to the back room, doors (i.e., consisting of doors; cf. Ewald, 284, a., β) of olive wood, which moved, according to Kg1 7:50, on golden hinges. וגו האיל, "the projection of the door-posts was fifth" (מזוּזות( " is construed freely as an explanatory apposition to האיל, to which it is really subordinate; cf. Ewald, 290, e.). These obscure words, which have been interpreted in very different ways (see Ges. Thes. pp. 43f.), can hardly have any other meaning than this: the projecting framework of the doors occupied the fifth part of the breadth of the wall. For the explanation given by Bttcher and Thenius, "the entrance framework with posts of fifth strength," has no real support in Eze 41:3. To justify the rendering given to המשּׁית (fifth strength), האיל is supplied, though not in the sense of projection, but in the thoroughly unwarranted sense of strength or thickness of the wall; and in addition to this, a wall two cubits thick is postulated between the Holy Place and the Most Holy Place, in direct contradiction to Kg1 6:16. The further evidence, which Thenius finds in Kg1 8:8, in support of this explanation, has been already rejected by Bttcher as unsustained. It would indeed be extremely strange for the thickness of the door-posts which formed the setting of the entrance to be given, whereas nothing is said about the size of the doors. According to our explanation, "a fifth of the breadth of the wall," the entrance was four cubits broad including the projecting door-posts, and each of the two wings of the folding doors about a cubit and a half broad, if we reckon the projecting framework on either side at half a cubit in breadth.
Kg1 6:32
"And two doors (i.e., folding doors, sc. he made; וּשׁתּי is also governed by עשׂה in Kg1 6:31) of olive wood, and carved upon them carved work," etc., as upon the walls (Kg1 6:29), "and overlaid them with gold, spreading the gold upon the cherubs and palms" (ירד, hiphil of רדד), i.e., he spread gold-leaf upon them, so that, as Rashi observes, all the figures, the elevations and depressions of the carved work, were impressed upon the coating of gold-leaf, and were thus plainly seen. Thenius infers from this explanatory clause, that the gilding upon the walls and doors was most probably confined to the figures engraved, and did not extend over the whole of the walls and doors, because, if the doors had been entirely overlaid with gold, the gilding of the carved work upon them would have followed as a matter of course. But this inference is a very doubtful one. For if it followed as a matter of course from the gilding of the entire doors that the carved work upon them was overlaid with gold, it would by no means follow that the overlaying was such as to leave the carved work visible or prominent, which this clause affirms. Moreover, a partial gilding of the walls would not coincide with the expression כּל־הבּית עד־תּם in Kg1 6:22, since these words, which are used with emphasis, evidently affirm more than "that such (partial) gilding was carried out everywhere throughout the temple proper." The doors in front of the Most Holy Place did not render the curtain mentioned in Ch2 3:14 unnecessary, as many suppose. This curtain may very well have been suspended within the doors; so that even when the doors were opened outwards on the entrance of the high priest, the curtain formed a second covering, which prevented the priests who were ministering in the Holy Place and court from looking in.
(Note: H. Merz (Herzog's Cycl.) now admits this, whereas he formerly agreed with Ewald and others in denying the existence of the curtain in Solomon's temple, and regarded the curtain (veil) in Mat 27:51-52 as an arbitrary addition made by Herod out of his princely caprice, thus overlooking the deep symbolical meaning which the veil or curtain possessed.)
Kg1 6:33-34
"And thus he made upon the door of the Holy Place posts of olive wood from a fourth (of the wall)," i.e., a framework which occupied a fourth of the breadth of the wall, or was five cubits broad (see at Kg1 6:31), "and two doors of cypress wood, two leaves each door turning," i.e., each of the folding doors consisting of two leaves, each of which was made to turn by itself, so that it could be opened and shut alone (without the other; קלעים is probably only a copyist's error for צלעים). Cypress wood was chosen for the folding doors of the Holy Place, and not olive wood, as in the case of the Most Holy Place, probably because it is lighter in weight, and therefore less likely to sink. It is questionable here what idea we are to form of the division of each folding door into two leaves, each of which turned by itself: whether we are to think of each wing as divided lengthwise into two narrow leaves, or as divided half way up, so that the lower half could be opened without the upper. I agree with Merz in thinking the latter the more probable assumption; for the objection made by Thenius, on the ground that doors of this kind are only seen in the houses of the peasantry, is an idle assertion which cannot be proved. In a doorway of five cubits in breadth, after reckoning the doorposts the width of the two wings could not be more than two cubits each. And if such a door had been divided into two halves, each half would have been only one cubit wide, so that when open it would not have furnished the requisite room for one man conveniently to pass through. On the other hand, we may assume that a folding door of four cubits in breadth, if made in just proportions, would be eight cubits high. And a door of such a height might easily be divided into two halves, so that only the lower half (of two cubits in breadth and about four in height) was opened for the daily entrance of the priests into the Holy Place. These doors probably opened outwards, like those in front of the Most Holy Place.
Kg1 6:35
Carving and gilding: as upon the doors before the hinder room. The gold was levelled or smoothed over that which had been engraved, i.e., it was beaten out thin and laid upon the carving in such a manner that the gold plate fitted closely to the figures. Gilding was generally effected in ancient times by the laying on of gold plate, which was fastened with tacks (compare Ch2 3:9).